A HEART RESTLESS FOR THE CHURCH: Saint Augustine

I was born in Tagaste, a small town in North Africa, in the year 354, under a sky that seemed to stretch endlessly over the dusty roads and olive groves of Numidia. My name is Augustine, and my life, as I look back upon it, is a tapestry woven with threads of restless searching, divine grace, and an unyielding love for the Catholic Church, which became the anchor of my soul.

Let me share my story—not as a boast, but as a testimony to the mercy that pursued me and the Church that embraced me, teaching me how to internalize its truths and invite others to do the same.

My early years were marked by a hunger for truth, but I sought it in all the wrong places. My mother, Monica, a woman of unshakeable faith, planted seeds of the Gospel in my heart, but I was a wayward son. I chased the fleeting pleasures of the world—philosophy, rhetoric, and the allure of Manichaeism, a sect that promised answers but delivered only shadows. I was a young man of fiery passions, restless and dissatisfied, yet I could not escape the prayers of my mother, who wept for my soul as if I were already lost. Her tears were a silent sermon, preaching the love of a Church that waits patiently for its prodigals.

In my twenties, I taught rhetoric in Carthage, then Rome, and finally Milan. I was a man of words, crafting arguments to win applause, but my heart was a battlefield. The philosophies of the world—Plato, Cicero, the Manichees—offered me fragments of truth, but they were like broken mirrors, reflecting only distorted images of the divine. I was restless, as if my soul knew it was made for something greater. It was in Milan that I met Ambrose, the bishop whose eloquence and holiness pierced my defenses. He did not argue with me as a philosopher might; he lived the faith with such conviction that I could not dismiss it. His sermons in the cathedral were not mere words—they were windows into the eternal, showing me the beauty of the Catholic Church, a mother who gathers her children with truth and love.

One day, in a garden in Milan, my heart broke open. I was thirty-two, tormented by my sins and my inability to surrender to God. I heard a child’s voice chanting, “Take up and read, take up and read.” I opened the Scriptures to Paul’s letter to the Romans: “Put on the Lord Jesus Christ, and make no provision for the flesh.” In that moment, the chains of doubt and desire fell away. I wept, not from sorrow, but from the joy of being found. The Catholic Church, through its Scriptures, its sacraments, and its saints like Ambrose, had led me to the Truth Himself. I was baptized, and my mother, who had followed me across seas, rejoiced to see her prayers answered. The Church became my home, a place where my restless heart found rest in God.

But how does one internalize this love for the Church, this bride of Christ who is both human and divine? I learned it through living it, through immersing myself in her life. The Church is not a museum of perfect people; it is a hospital for sinners, where the Eucharist binds us to Christ and to one another. I began to see the Mass as the heartbeat of the Church, where heaven touches earth. In the breaking of the bread, I found Christ’s presence, not as a concept, but as a reality that transformed me. I internalized this love by praying with the Church—her psalms, her liturgy, her seasons of Advent and Lent, which taught me to walk with Christ through joy and sorrow. The Church’s teachings, rooted in Scripture and Tradition, became my compass, guiding me through the storms of doubt.

To love the Church is to love her people, flawed though they be. I saw this in my own life—my mother’s perseverance, Ambrose’s wisdom, the quiet faith of the poor who filled the basilicas. The Church is a family, and like any family, it has its struggles. Yet, in her sacraments, I found grace to forgive and be forgiven. In her teachings, I found truth to anchor my soul. I learned to internalize this love by serving others, by teaching the faith as a bishop in Hippo, where I preached not to impress, but to invite others into the same joy I had found.

How, then, do we teach others to accept this love in their lives? Not by force or argument alone, but by living the faith with such radiance that others are drawn to it. I recall a young man who came to me in Hippo, skeptical of the Church, wounded by the hypocrisy he had seen. I did not debate him; I listened, I prayed with him, and I shared my own story of wandering and return. I invited him to Mass, not to convince him, but to let him see the Church at worship, where the poor and the powerful kneel together before the same Lord. Over time, his heart softened, not because I was persuasive, but because the Church’s beauty spoke for itself.

To teach others to accept the Church, we must show them her heart—Christ Himself. We do this by living with integrity, by loving sacrificially, by being unafraid to admit our own need for mercy. The Church is not a fortress to keep others out, but a city on a hill, shining with the light of Christ. When we forgive as Christ forgives, when we serve as He serves, we become living invitations to the faith. I learned this as a bishop, preaching to my flock, writing my confessions not to glorify myself, but to show how God’s grace works through a sinner’s life.

My life, now drawing toward its close, is a testament to the Church’s enduring love. I have seen her stand firm through persecutions, heresies, and the fall of empires. She is not perfect, for she is made of human hearts, but she is holy, for she is Christ’s. To internalize her love is to live her life—her prayers, her sacraments, her mission. To teach others to accept her is to show them Christ in us, through our words, our deeds, and our love.

As I write these words in Hippo, with the Vandals at the gates, I am at peace. The Church that welcomed me, a prodigal, will endure beyond my days. She is the ark that carries souls to God, the mother who never gives up on her children. My heart, once restless, now rests in her, and through her, in Him who is the Way, the Truth, and the Life. May you, too, find this love, live it deeply, and share it boldly, for the glory of God and the salvation of souls.

Jérémie M. Tshibakenga

THE PEACE OF THE PILGRIM: Finding Comfort in the Christian Life

What strategies do you use to increase comfort in your daily life?


“True comfort is not the absence of struggle, but the presence of God’s love, which transforms every trial into a step toward eternity.”

Anonymous Christian Theologian

To increase comfort in daily life, viewed through the lens of Christian theology and philosophy, one must first reframe the notion of comfort. True comfort is not mere physical ease or the absence of struggle, but a deep, spiritual alignment with God’s will, fostering peace in the soul. This perspective demands a dynamic interplay between faith, action, and contemplation, rooted in the Christian vision of human existence as a pilgrimage toward divine communion.

Begin with the practice of prayer, the cornerstone of spiritual comfort. Daily prayer, whether structured like the Liturgy of Hours or spontaneous, opens the heart to God’s presence. It is not an escape from life’s burdens but a means of carrying them in trust.

Through prayer, one encounters Christ, who promises, “Come to me, all you who are weary, and I will give you rest” (Matthew 11:28). This rest is not idleness but a reorientation of the self toward eternal purpose, soothing temporal anxieties.

Next, cultivate gratitude as a disposition of the heart. The Christian sees all life as a gift from the Creator, from the breath in our lungs to the trials that refine us. By consciously giving thanks—perhaps through a daily journal or moments of reflection—one shifts focus from lack to abundance.

This aligns with St. Paul’s exhortation to “give thanks in all circumstances” (1 Thessalonians 5:18). Gratitude transforms discomfort into an opportunity for growth, revealing God’s providence in both joy and suffering.

Embrace simplicity in daily habits. The modern world tempts us with excess—material goods, distractions, ambitions—that clutter the soul. By simplifying—reducing possessions, limiting digital noise, prioritizing meaningful relationships—one creates space for God’s voice. This echoes the call to “seek first the kingdom of God” (Matthew 6:33). A simple life fosters contentment, as external chaos no longer dictates internal peace.

Engage in acts of charity, for comfort is found in self-giving. The Christian life is inherently communal; we are called to love our neighbor as ourselves (Mark 12:31). Small, deliberate acts—listening to a friend, serving the poor, forgiving an offense—anchor us in Christ’s love. These acts dissolve self-absorption, which often breeds discomfort, and replace it with the joy of participation in God’s redemptive work.

Finally, practice detachment, not as indifference but as freedom from worldly attachments that obscure God’s primacy. This involves surrendering anxieties through trust in divine providence, as Jesus teaches: “Do not worry about tomorrow” (Matthew 6:34). Detachment fosters resilience, allowing one to face life’s uncertainties with a calm rooted in faith.

These strategies—prayer, gratitude, simplicity, charity, and detachment—form a tapestry of Christian living. They do not eliminate suffering but infuse it with meaning, aligning the soul with God’s eternal comfort. In this way, daily life becomes a sacred journey, where true comfort arises not from fleeting pleasures but from dwelling in the heart of God’s love, which endures forever.

Jérémie M. Tshibakenga

THE GADFLY’S QUEST

I am Socrates, son of Sophroniscus, a stonemason of Athens, and my life is a tapestry woven with threads of questions, truth, and the relentless pursuit of virtue. The agora, with its clamor of merchants, the scent of olives, and the dust swirling beneath my bare feet, is my temple.

My threadbare cloak flaps like the wings of a curious bird, and my eyes, alight with wonder, seek not answers but the spark of inquiry in others. I am no sage, no oracle crowned with laurels, but a man driven by a fire within—a fire kindled by a voice, my daimon, that whispers not what to do but what to shun. This tale, my own, is not merely of a life lived but of values forged in the crucible of dialogue, and how, through ceaseless questioning, one might internalize them to live a life worthy of the soul.

Born in the shadow of the Acropolis, I grew in an Athens radiant with ambition yet shadowed by complacency. The city, in her golden age, pulsed with poets chanting odes, warriors clad in bronze, and philosophers weaving dreams of reason. Yet I saw men slumbering, lulled by wealth, honor, and untested beliefs. From youth, I felt a strange unrest, a call to pierce the veil of certainty that cloaked their minds. My daimon, that inner voice, urged me to question, to probe, to challenge the gods of habit men worshipped blindly. I had no wealth, no office, no title—only a heart ablaze with the need to know, and a will to awaken others.

My method was born not of cunning but of necessity. I claimed to know nothing, for in this confession lay my freedom. In the agora, beneath the plane trees’ dappled shade, I wandered among men—politicians puffed with pride, poets drunk on their own verses, craftsmen certain of their skill. “What is justice?”

I would ask, my voice soft but piercing. “What is courage? What is the good?” Their answers came swift, polished as marble, but I pressed further, my questions sharp as a sculptor’s chisel. “How do you know?” I’d say.

“What does this truly mean?” With each query, their certainties crumbled, revealing not answers but deeper questions, like stars unveiled by a clearing storm. This was my art—not to teach, but to awaken, to draw forth truth as a midwife draws forth life.

Virtue, I believed, was knowledge—not of facts or crafts, but of the self. To be just, one must know what justice is; to be brave, one must face fear’s true face. Yet men clung to shadows, mistaking wealth for worth, power for piety. I urged them to turn inward, to interrogate their souls as I did mine. “An unexamined life,” I told them, standing amid the agora’s din, “is not worth living.” This was no mere phrase but a call to arms, a plea to wrestle with one’s beliefs until they yielded truth. To internalize virtue, I taught, one must live it daily, testing each action against reason, questioning each motive with fearless honesty.

My days were spent in dialogue, my nights in reflection beneath the stars. Youths gathered around me—Plato, with his mind like a polished gem; Alcibiades, radiant yet torn by ambition; Xenophon, eager and earnest. I loved them not as disciples but as mirrors of my own quest, each a spark of divine reason. I urged them to question, to doubt, to seek the good not in fleeting pleasures but in the eternal harmony of the soul. “Know thyself,” I said, for in self-knowledge lies the root of all virtue. To live justly, I showed them, one must ask: Does this act align with truth? To live courageously, one must face the fear of being wrong. Through dialogue, I sought to kindle in them a flame that would burn through life’s illusions.

Yet Athens grew restless. My questions, like gadflies, stung the proud and powerful. The poets, whose verses I probed, called me a blasphemer; the politicians, whose rhetoric I exposed as hollow, branded me a corruptor of youth. I sought only to free men from the chains of unthinking custom, to lead them toward a life of reason and virtue. But truth is a bitter draught, and those who sip it often recoil. The city, once my cradle, became my crucible. Whispers turned to accusations, and in my seventieth year, I stood before a jury of five hundred, accused of impiety and corrupting the young.

In the courtroom, beneath a sky heavy with judgment, I spoke plainly, as always. “I am no teacher,” I said, my voice steady, “but a midwife, drawing forth truth from others.” I offered no defense but the truth of my life: that I sought only to serve Athens by urging her to virtue. I begged no mercy, for to compromise would betray the very principles I lived by. The jury, swayed by fear and flattery, condemned me to death. Yet I felt no despair, only a quiet resolve. My friends wept, but I stood firm, for I had lived as I taught—examining, questioning, seeking the good.

In my cell, as the hemlock was prepared, I sat among my companions, their faces etched with grief. I spoke of death not as an end but as a mystery—either a dreamless sleep or a journey to a realm where I might question heroes and sages anew. “No evil can befall a good man,” I told them, “in life or in death.” As I drank the poison, its chill spreading through my limbs, my soul remained anchored in the conviction that virtue is its own reward. My body faltered, but my spirit soared, free at last to seek truth in whatever realm awaited.

To you who hear my tale, I offer this: internalize virtue by making it the pulse of your life. Begin each dawn with a question: What is the good I seek today? Test your actions against reason, not habit. When pride or fear tempts you to silence your doubts, resist—question boldly, as if your soul’s salvation depends on it. Seek companions who challenge your certainties, not those who flatter them. In moments of choice, pause and ask: Does this align with justice, with courage, with wisdom? Let these virtues be not abstract ideals but the breath of your existence, guiding each step through the labyrinth of life.

Live not for applause or wealth, but for the harmony of your soul. When you err, as all men do, examine your fault with unflinching honesty, for in error lies the seed of growth. Surround yourself with those who, like mirrors, reflect your flaws and virtues alike. And when the world demands you conform, stand firm, not out of defiance but out of love for truth. My life was no monument, no marble statue to be worshipped. It was a question, a challenge, a call to awaken. As my voice fades into the eternal, I ask you to carry this flame. Question ceaselessly, love fiercely, and let virtue be the compass of your days. For in the end, it is not the years we live but the truths we uncover that make a life worth living.

Jérémie M. Tshibakenga

THE WEAVER’S GIFT

In the days when I roamed the cobbled streets of a bustling town, my heart was a ledger, tallying gains and losses with a merchant’s precision. I was a weaver by trade, my fingers nimble with thread, my mind ever spinning with thoughts of profit. Charity and mercy were words I knew, but they lay dormant in me, like seeds unwatered beneath barren soil. This is the tale of how I, a man of modest means and narrower spirit, learned to weave those virtues into the fabric of my life, thread by thread, until they became the warp and weft of my soul.

It began one frost-kissed morning in the marketplace, where I hawked my wares beneath a sky heavy with clouds. My stall stood proud, draped in bolts of cloth dyed in hues of saffron and indigo, each fold a testament to my skill. Across from me, a beggar named Elias sat on a tattered mat, his hands trembling as he extended a cracked bowl to passersby. His eyes, clouded with age, held a quiet plea, but I turned my gaze away, muttering to myself that I had no coin to spare. My purse was light, I reasoned, and winter’s bite demanded I keep what little I had. The market hummed around us—merchants shouting, coins clinking, the air thick with the scent of roasted chestnuts—but Elias’s presence was a shadow I refused to see.

Yet the day wore on, and Elias remained, his stillness a thorn in my conscience. A woman, cloaked in fine wool, paused before him. She dropped a silver coin into his bowl, her smile warm as she spoke soft words. Elias bowed his head, his voice quavering with thanks. I scoffed under my breath—foolish extravagance, I thought. What good was a single coin to a man like him? But as she walked away, her step seemed lighter, as if giving had lifted some unseen burden from her soul. I shook my head, returning to my weaving, yet her act lingered in my mind like the afterglow of a candle snuffed out.

That evening, as I counted my earnings—a meager handful of coppers—a child approached my stall. Her dress was patched, her cheeks smudged with dirt, her eyes wide with desperation. “Sir,” she said, her voice small, “my brother is ill, and we’ve no money for a physician. Could you spare a coin?” I frowned, clutching my purse tightly. “I’ve barely enough for myself,” I said sharply. “Be off with you.” Her eyes welled with tears, but she nodded and shuffled away into the crowd. As she vanished, a pang struck my heart, sharp as a needle through cloth. I told myself it was not my concern, that I owed her nothing. Yet sleep eluded me that night, her face haunting my dreams, her plea echoing like a loom’s steady clack.

The next dawn, I returned to the market, my thoughts tangled like threads in a poorly spun skein. Elias was there again, his bowl as empty as the day before. A baker, stout and red-faced, knelt beside him, offering a loaf still warm from the oven. “Take it, old man,” the baker said gruffly. “No one should go hungry.” Elias clasped the bread, his gratitude spilling in broken words. I watched, my chest tightening. Why did these acts of kindness unsettle me so? I had worked hard for my coin, my cloth, my place in the world. Was it not mine to keep? Yet the baker’s gift seemed to weave a warmth into the cold morning air, a warmth I could not ignore.

Midday brought a storm, rain lashing the market like a whip. I huddled beneath my stall’s awning, cursing the weather that kept buyers away. Elias, with no shelter, sat drenched, his thin frame shivering. The sight pricked at me, and before I could think better of it, I called out, “Old man, come here!” He looked up, startled, then hobbled over, water dripping from his ragged cloak. I thrust a spare scrap of cloth at him, one too small to sell. “Cover yourself,” I said, my voice gruff to mask my unease. He took it, his fingers brushing mine, and murmured blessings that made my cheeks burn. As he draped the cloth over his shoulders, I felt a warmth in my chest, fleeting but undeniable, like the first spark of a fire kindled in winter.

The days that followed were a quiet battle within me. I began to notice the market’s forgotten souls—the widow selling wilted herbs, the urchin scavenging for scraps, the lame cobbler whose hands shook too much to mend shoes. Each time I passed them by, my heart grew heavier, as if weighed by coins unspent. One evening, as I closed my stall, the girl from before appeared again. Her brother was worsening, she said, her voice trembling with fear.

I opened my mouth to refuse her once more, but the memory of Elias’s gratitude stopped me. I reached into my purse and pressed a copper into her hand. “For the physician,” I muttered, avoiding her eyes. Her face lit up, and she threw her arms around me, her thanks a torrent of joy. I stood frozen, unaccustomed to such warmth, but as she ran off, I felt as if I had woven a thread of light into the world.

From that day, I began to change, stitch by stitch. It started small—a crust of bread shared with a hungry boy, a kind word to the widow, a spare thread given to the cobbler to mend his own worn tunic. Each act was a stitch, small and imperfect, but together they formed a pattern I had not seen before. I noticed how the baker’s gruff kindness inspired others to give, how the woman’s silver coin had rippled through the market, softening hearts. Charity, I realized, was not a loss but a gain, a thread that bound us all. Mercy, too, was no weakness; it was the courage to see another’s pain and act, to weave their suffering into the fabric of your own life.

One bitter evening, as snow dusted the market, I found Elias slumped against a wall, his breath shallow, his face pale as the frost. The crowd ignored him, their eyes on their own troubles. My old self would have walked on, but the man I was becoming could not. I knelt beside him, wrapping my own cloak around his frail shoulders. “Come,” I said, helping him to his feet. “My home is warm, and I’ve soup to spare.” His eyes, dim with cold, flickered with surprise. At my hearth, as he sipped broth, he spoke of his life—a wanderer fallen on hard times, yet rich in stories of distant lands and fleeting kindnesses. I listened, and in his words, I saw my own fears reflected: the fear of want, of losing what I held dear. But in giving, I had lost nothing—only gained a friend whose presence warmed my humble home.

The market changed after that winter, or perhaps it was I who changed. I wove not just cloth but kindness, sharing what I could—a coin here, a blanket there, a smile when words failed. My purse was no heavier, but my heart was fuller, as if each act of mercy added weight to my soul’s worth. The girl’s brother recovered, and she brought me a daisy, plucked from a spring field, its petals bright as her gratitude. The widow’s herbs flourished, and she gifted me a sprig of rosemary, its scent a reminder of mercy’s fragrance. Elias, too, grew stronger, and though he never left his corner, his smile became a beacon, drawing others to give.

I am no saint, nor was my path to charity and mercy a straight one. It was a weave of stumbles and doubts, of small acts that grew into a tapestry of purpose. I learned that these virtues are not burdens but threads that connect us, making the world a richer cloth. To internalize them is to see the world anew—not as a ledger of gains and losses, but as a shared fabric, where each kind deed strengthens the whole. And so, I weave on, my hands steadier, my heart open, knowing that in giving, I receive far more than I could ever count—a lesson etched into my soul, as enduring as the cloth I craft.

Jérémie M. Tshibakenga

SURRENDING THE SELF FOR THE SAKE OF HARMONY

What could you let go of, for the sake of harmony?


“When Christ calls a man, he bids him come and die.”

Dietrich Bonhoeffer, The Cost of Discipleship

To live in harmony, as the Christian vocation demands, is to enter into the rhythm of God’s love, where all things find their unity in Christ. This harmony is not a mere absence of conflict but a living reality, a participation in the divine order that binds creation to its Creator and each soul to its neighbor.

Yet, such unity requires sacrifice, a deliberate letting go of those things that cling to the self and disrupt the peace that flows from God’s heart. What, then, might I surrender for the sake of this harmony? In the light of Christian truth, tempered by the insights of philosophy and theology, I reflect on what must be released to live in communion with God and others.

First, I would let go of pride, that ancient and subtle vice that sets the self above all else. Pride is the illusion of self-sufficiency, the voice that whispers I am enough without God or neighbor. It builds walls where bridges are needed, convincing me that my perspective, my will, my desires are paramount.

Philosophy reveals pride as the root of division, for it blinds us to the interdependence of human existence, the truth that we are beings-in-relation, as theology affirms in the doctrine of the Trinity. The Father, Son, and Spirit exist in perfect communion, each giving and receiving without domination.

To imitate this, I must relinquish the need to exalt myself, to see my worth as a gift from God, not a trophy I seize. Pride disrupts harmony by making me the center; humility restores it by placing God there. Thus, I surrender pride, not as a loss but as a liberation, freeing me to love without rivalry.

Next, I would release the compulsion to be right in every matter. The mind, honed by philosophical inquiry, can become a weapon, cutting through dialogue to impose its own conclusions.

Theology reminds us that truth is not a possession to be hoarded but a mystery to be served, ultimately embodied in Christ, who is the Way, the Truth, and the Life. To cling to my own understanding at the expense of charity is to betray the One who humbled Himself unto death.

How often have I seen disputes—over doctrine, politics, or trivialities—fracture the unity Christ prayed for in His high priestly prayer: “that they may be one, as we are one” (John 17:11)? To seek harmony, I must hold my convictions lightly, not abandoning them but offering them in service to love.

This means listening before speaking, valuing the other’s perspective, and trusting that the Spirit guides us toward truth together. By letting go of the need to triumph in argument, I open space for mutual understanding, where harmony can take root.

I would also surrender resentment, that bitter poison that festers in the soul. Resentment arises from wounds unhealed, from wrongs I refuse to release. Yet the Cross stands as the ultimate sign that forgiveness is not weakness but divine strength.

Christ, who prayed, “Father, forgive them,” even as He suffered, shows that mercy is the path to peace. Philosophy might analyze resentment as a distortion of justice, a fixation on past wrongs that traps us in cycles of retribution.

Theology goes further, revealing forgiveness as participation in God’s redemptive work. To hold onto grudges is to choose discord over communion, to chain myself to the past when Christ invites me to freedom.

For the sake of harmony, I must let go of resentment, not ignoring justice but entrusting it to God, who alone judges rightly. This surrender is costly, requiring me to absorb pain rather than return it, but it aligns me with the heart of the Gospel, where love overcomes evil.

Finally, I would release fear—fear of loss, of being diminished, of trusting God’s providence too little. Fear whispers that I must cling to control, to security, to my own plans, lest I be left with nothing.

Yet Christian faith teaches that God’s love is the ground of all being, that “neither death nor life… nor anything else in all creation” can separate us from Him (Romans 8:38-39).

Philosophy, too, confronts fear as a barrier to the good life, urging us to face the contingency of existence with courage. Theology transforms this courage into trust, a surrender to the God who holds all things in His hands.

To live in harmony is to rest in this assurance, to let go of the anxious need to secure my own future. Fear divides; trust unites. By releasing fear, I make room for faith, which binds me to God and others in a communion that transcends my insecurities.

These surrenders—pride, the need to be right, resentment, fear—are not mere negations but acts of offering. They clear the space for grace to work, for the Spirit to weave harmony where discord once reigned.

Each act of letting go is a participation in the Paschal mystery, where death leads to resurrection, and loss becomes gain. In the Christian vision, harmony is not a static achievement but a dynamic movement toward God, who is the source and end of all unity. By releasing what binds me to the self, I am drawn into the divine life, where all is made one in Christ, the Alpha and the Omega, who reconciles all things to Himself.

Jérémie M. Tshibakenga

THE FOX AND THE STARLING

Fox and Starling

I am a fox, a creature of russet fur and cunning heart, whose days were once spent weaving tricks as deftly as a spider spins its web. But a chance meeting in an ancient forest, where golden leaves danced in the autumn breeze, taught me the weight of truth and the warmth of love. These virtues, I learned, are not mere notions but living seeds that, when tended, take root in one’s soul. Allow me, dear listener, to share my tale, that you might see how I came to internalize these lessons and make them the compass of my life.

It began on a crisp morning, my belly gnawing with hunger sharper than thorns. The forest, ablaze with amber and crimson, promised bounty, yet my clever ploys had yielded only bitter berries. As I prowled a mossy trail, a scent—warm, yeasty, like a villager’s fresh-baked loaf—drew me to a clearing. There, perched on a low branch, was a starling, her feathers gleaming like polished night. Beside her, in the grass, lay a golden loaf, its aroma a siren’s call.

“Good day, Mistress Starling,” I said, my voice smooth as river stones. “That bread seems a grand prize for one so small. How did you come by it?”

The starling tilted her head, her eyes sharp as flint. “Good day, Master Fox. A baker’s boy, moved by my song, gifted me this loaf. But I see hunger in your eyes. Speak plain—what do you want?”

Her bluntness caught me off guard. I, a master of guile, faced a creature who saw through my charm. “Truth be told,” I said, shedding my usual mask, “I’m starving, and that bread tempts me. Might we share it?”

She fluttered her wings, considering. “Truth, you say? A rare offering in these woods. I’ll share, Fox, but only if you answer true: What drives your endless roaming? Hunger alone, or something deeper?”

Her question pierced me. A fox thrives on deception, yet her gaze demanded honesty. “Hunger, yes,” I admitted, “but also a restlessness—a yearning for something more, perhaps a bond that endures beyond a meal.”

She nodded, as if she’d glimpsed my soul. “Sit, then, and share this bread. But know this: truth is the root of love, and love, once given, must be nurtured like a tender sapling. Will you honor both today?”

We broke the loaf, its warmth filling my mouth as her words filled my heart. As we ate, she spoke of her life—flights over emerald valleys, songs to greet the dawn, and losses that weighed her wings. I shared my own truths: dens left behind, tricks that left me empty, and a quiet ache for belonging. Each word was a thread, weaving a fragile bond of trust.

When the crumbs were gone, the starling fixed me with a steady gaze. “Fox, you’ve tasted truth, but it’s a seed that must grow. Will you carry it beyond this clearing? Will you let it shape your path?”

I thought of my past—lies spun for a scrap of food, fleeting gains that left me hollow. “I’ll try,” I vowed, “though a fox’s nature resists taming.”

“Then let love be your guide,” she said. “Love, born of truth, is a strength that endures. Seek it in small acts—listening, sharing, standing by another. Promise this, and I’ll trust your heart.”

Her words struck like a river carving stone. I promised, and we parted—she to her skies, I to my earthbound trails. But her lessons lingered, sparks in my soul. I resolved to live differently, to let truth and love guide me.

The first lesson came swiftly. Days later, I found a hare caught in a hunter’s snare, its eyes wide with terror. My old self saw only a meal, but the starling’s voice echoed. I spoke truth: “I could eat you, but I choose to free you, for I seek a better path.” With careful teeth, I severed the rope. The hare bounded off, its grateful glance warmer than any feast. Truth, I learned, is not just words but actions that align with one’s heart. It demands courage to forgo easy gains for a greater good. To internalize it, I began to ask myself in each moment: What is the honest choice? This question became my anchor, steadying me against old habits.

Weeks later, I met a badger, his paws bloodied from a long trek. “Fox,” he growled, “what’s your game? Some trick?” I could have spun a tale to win his trust, but I chose truth. “No trick,” I said. “I see your weariness and offer rest in my den.” He followed, wary but willing. We shared my meager roots, and as he slept, I felt a quiet joy. Love, I realized, is not grand gestures but small kindnesses—offering shelter, sharing what little you have. To make it part of me, I practiced giving without expecting reward, finding that each act deepened my capacity to care.

Not every step was smooth. Hunger often tempted me back to deceit. Once, I nearly tricked a squirrel out of her nuts, my tongue poised to lie. But the starling’s eyes haunted me. “Forgive me,” I told the squirrel. “I’m learning to be better.” She fled, but her lack of fear was a victory. Truth, I found, requires vigilance, a daily choice to speak and act with integrity, even when it costs you. I internalized it by pausing before each word, weighing it against my heart’s truth.

Love, too, demanded practice. One bitter night, I found a shivering owl, her wing torn. My den was warm, but small—sheltering her meant a cramped, sleepless night. Yet I invited her in, tending her wound with moss. Her soft hoot of thanks warmed me more than any fire. Love, I learned, is sacrifice—giving time, comfort, or pride for another’s sake. I made it mine by seeking one kind act each day, no matter how small, letting these deeds build a habit of care.

Months later, I returned to the clearing. The starling was there, her feathers brighter than ever. “Fox,” she sang, “your eyes are clearer, your step surer. Have you kept your promise?”

“I have,” I said, recounting the hare, the badger, the squirrel, and the owl. “Truth is heavy but freeing. Love is work but fulfilling. I am not the fox I was.”

“You’ve learned,” she said, hopping closer. “Truth is the soil where love grows. Tend it daily—in honest words, in selfless deeds, in quiet choices no one sees. You’ll falter, but each step strengthens the root.”

We sat, sharing not bread but a bond forged of truth and love. As the sun painted the sky in fiery hues, I knew these virtues were no longer fleeting. They were woven into my soul, guiding my path.

Dear listener, to internalize truth, let it be your mirror—reflect your heart in every word and deed. Pause, ask what is honest, and act on it, even when it’s hard. To embody love, give it freely in small ways—listen, share, sacrifice. These are not grand ideals but daily seeds, planted in patient earth. Tend them, and they will light your way, as they did for a fox who once thought himself too clever for such things.

Jérémie M. Tshibakenga

THE STARLIT PATH

I was a traveler, my heart a compass without a north, my boots heavy with the dust of a thousand questions. The desert stretched before me, its sands vast and silent, whispering secrets older than the stars. I carried a satchel—bread, a flask of water, and a longing for meaning that weighed more than both. The night sky was my only guide, its constellations a map of dreams I could not yet read. Each step was a prayer, each breath a hope that somewhere beyond the dunes lay a truth worth finding.

The first lesson came under a sky so clear it seemed the heavens had unveiled their heart. I stumbled upon an old man, his face etched with lines like the canyons I’d crossed, tending a small fire. His eyes, bright as the stars, met mine, and without a word, he gestured to the ground beside him. I hesitated.

Trust was a scarce coin in my pocket, spent sparingly on a world that often betrayed it. But his gaze held no guile, only a warmth that disarmed my fears. “Sit,” he said, “and share my bread.” I did, and as we broke the loaf, he spoke of trust. “It is not a gift given lightly,” he said, “but a seed planted in the heart. It grows only when you dare to tend it, to believe in another’s goodness despite the risk.” His words sank into me, heavy yet freeing.

I left his fire with a lighter step, my satchel now carrying the weight of trust—not in him, but in my own courage to offer it. Trust, I learned, was not a surrender but a choice, a quiet act of faith in the unseen bonds between souls.

Days later, I found an oasis, a cradle of green amidst the endless sand. A village thrived there, its people moving with a purpose that hummed like a song. They wove nets, baked bread, mended roofs—not for themselves alone, but for each other. I watched a woman pour her last jug of water for a stranger, a man carve a wooden bird for a child not his own. Their mission was unspoken yet clear: to build something greater than any one heart could hold.

I lingered, drawn by their rhythm, and joined them, my hands clumsy as I hauled stones to repair a crumbling wall. Their laughter was kind, their sweat a testament to shared purpose. “A mission,” said a weaver, her fingers dancing over threads, “is not a task but a fire in the soul. It binds us, makes our smallness vast.” I worked until my palms blistered, each stone a lesson in purpose. When I left, I carried a spark in my chest, a sense that my life, too, could be woven into a tapestry larger than myself.

The desert taught me humility, and it was a stern master. I climbed a dune, proud of my strength, my heart swelling with the thrill of conquest. At the summit, I found only more sand, more sky, and the wind erasing my footprints as if I’d never been. I laughed, first bitter, then free.

The stars cared nothing for my triumphs, the sands nothing for my failures. Humility was not self-doubt but truth: I was a single thread in a tapestry far grander than my own design. I knelt, the sand cool beneath my knees, and felt the weight of my pride lift.

That night, I slept under the open sky, no longer fearing its vastness but embracing it. Humility, I realized, was to walk lightly, to listen more than I spoke, to bow before the mystery of existence and find strength in my smallness.

In a canyon where the wind sang through stone, I found a community of wanderers. Their tents were a patchwork of colors, their voices a blend of tongues, yet they were bound not by blood but by choice. Around their fire, we shared stories—tales of loss, of hope, of journeys unfinished.

An elder spoke of a time when their people fought, divided by pride, until they learned that peace was not the absence of strife but the courage to mend what was broken. “Community,” she said, “is not found but built, heart by heart, stone by stone.” I stayed, helping to dig a well, my hands raw but my spirit whole.

Their songs filled the nights, their laughter the days, and I saw that no soul walks alone unless it chooses to. When I left, I carried their voices in my heart, a reminder that belonging is a craft, shaped by shared labor and love.

Peace came slowly, like dawn creeping over the dunes. My flask was nearly empty, my body weary from weeks of wandering. In a valley, I found a stream, its waters clear as glass.

I knelt to drink, and in the stillness, a quiet settled over me. The world was not gentle—wars raged beyond the desert, hearts broke, dreams crumbled—but here, in this moment, I was whole. Peace was not the world’s gift but my own, found in forgiving my stumbles, in seeing beauty in the broken, in choosing to rest rather than rage.

I filled my flask, not just with water but with this truth: peace is a flame carried within, unquenched by any storm. I rose, lighter, and walked on, the stream’s murmur a gospel I would carry forever.

The joy of tomorrow came last, on a night when the stars seemed to dance. I had climbed a mesa, my body aching but my spirit alive. Below, the desert stretched endless, yet I felt no despair. The lessons of trust, mission, humility, community, and peace had woven themselves into me, not as rules but as stars guiding my path.

I thought of the old man’s fire, the village’s laughter, the canyon’s songs, the stream’s quiet. Tomorrow would bring new trials—dunes to climb, storms to weather—but also new wonders.

Joy was not in reaching the horizon but in the walking, in the faith that each step held meaning. I lay back, the stars a map of infinite tomorrows, and smiled. The desert was no longer a void but a canvas, and I, a painter of my own dawn.

These lessons became my gospel, etched not in stone but in my soul. To trust was to open my hand to another’s. To live with mission was to build with others, not for glory but for love. Humility was my anchor, grounding me in the face of life’s grandeur. Community was my strength, a tapestry of hearts woven by choice. Peace was my refuge, a quiet I carried within. And the joy of tomorrow was my star, guiding me forward, not to a destination but to a life lived fully, step by step.

As dawn touched the sand, turning it gold, I descended the mesa. My satchel was lighter, for I carried not just bread and water but a truth brighter than the stars: to live well is to walk with trust, to build with purpose, to bow in humility, to belong to others, to hold peace in my heart, and to greet each tomorrow with joy. The desert stretched before me, alive and endless, and I was no longer a wanderer but a pilgrim, my path lit by the lessons of the stars.

Jérémie M. Tshibakenga

THE STAR-WHISPERER’S GIFT

I was a wanderer, a soul adrift in the vast desert of my own heart, where the sands shifted under the weight of questions too heavy to carry. The sun burned above, relentless, and the nights were cold, stars scattered like promises I couldn’t read.

I was a merchant of sorts, trading in fleeting joys—bright trinkets of ambition, the clink of coins, the applause of men. Yet, each night, as I lay beneath the endless sky, a hollow ache gnawed at me, whispering that I had lost something I could not name.

One evening, as the horizon swallowed the sun, I stumbled upon a village nestled in a valley, its lamps glowing like fireflies against the dusk. Hungry and weary, I knocked on the first door I found. An old woman answered, her eyes crinkled with kindness, her hands worn from labor. “Come, stranger,” she said, “share our bread.” I hesitated, for I had little to offer, but her smile was a command softer than any king’s.

Inside, her home was simple—a table, a hearth, a cross carved into the wooden beam above the door. Her husband, a man with hands like knotted oak, welcomed me, and their children, three small figures with eyes bright as morning, gathered around.

They shared their meal, a humble stew, and though it was plain, it warmed me more than any feast. I offered coins, but the woman shook her head. “Love asks no payment,” she said, “only that you carry it forward.”

That night, I slept on a mat by their hearth, but sleep eluded me. The cross above the door seemed to watch me, its silent presence stirring the ache in my chest.

At dawn, I thanked them and prepared to leave, but the woman pressed a small, worn book into my hands. “Read this,” she said, “when the stars grow too heavy.” I nodded, though I did not understand, and set out into the desert once more.

Days passed, and the book remained unopened in my pack, its weight a quiet reproach. I traveled through dunes and dry riverbeds, chasing whispers of a city where gold flowed like water.

But the farther I went, the more the desert seemed to mirror my soul—barren, restless, searching. One night, under a sky so clear it felt like a judgment, I could bear it no longer. I opened the book.

Its words were simple, yet they cut like a blade honed by truth. They spoke of a man who walked among the broken, who gave without taking, who loved even those who struck him.

They told of a kingdom not built on gold or glory, but on mercy, on sacrifice, on a love so vast it could hold the world. I read until the stars blurred through my tears, for I saw myself in those pages—a man who had traded his heart for shadows.

The next morning, I turned back. The city of gold no longer called me; its promises rang hollow against the words I had read. I wandered, not knowing where my feet would lead, until I came upon a boy, no older than ten, sitting beside a dry well.

His clothes were tattered, his face streaked with dust. In his hands, he held a single date, his only food. I knelt beside him, my pack heavy with provisions I had hoarded for my journey.

“Are you hungry?” I asked. He nodded, eyes wary. I expected him to devour the date, but instead, he broke it in half and offered me a piece. “We share,” he said, his voice small but certain.

I took it, though my throat tightened with shame. Here was a child, with nothing, teaching me what the old woman had tried to show me. I gave him bread, cheese, and a skin of water from my pack, and we ate together, the desert silent around us.

“Why do you share?” I asked.

He shrugged, as if the question were foolish. “Because it’s good. Because he sees.” He pointed to the sky, though the sun blazed too brightly to see the stars.

“Who sees?” I asked, though I felt the answer stirring within me.

“The one who made us,” he said. “He loves us, so we love.”

His words were a spark, igniting the ache I had carried so long. I thought of the book, of the man who gave all, even his life, for those who did not deserve it. I stayed with the boy until his family returned, shepherds who welcomed me as the old woman had. They spoke of the same man, the same love, their voices woven with a joy I had never known. I gave them what I could—food, a blanket, a few coins I no longer needed—and when I left, I carried their laughter in my heart.

My journey changed after that. I no longer sought gold or glory. Instead, I walked from village to village, sharing what I had. In one settlement, I met a widow weaving baskets under a withered tree. Her fingers moved with grace, though her eyes held sorrow. I offered her water, and she offered me a basket, its weave tight and strong. “Why give when you have so little?” I asked.

She smiled, her face softening. “Because I was given much,” she said. “Not in coin, but in hope. He who died for me taught me to live for others.” Her words echoed the book, and I sat with her, learning her craft, sharing stories of the man who loved without measure. When I left, I carried her basket, a reminder of her faith.

In another village, I found a man tending a garden in the desert’s heart, coaxing green from barren soil. His hands were scarred, his brow lined with years, but his eyes shone with purpose. “How do you grow life here?” I asked, marveling at the rows of sprouting plants.

“Patience,” he said, “and trust. The one who waters my soul teaches me to water the earth.” He shared his harvest—dates, figs, a handful of herbs—and I gave him the last of my bread. We spoke late into the night, and he read from a book like mine, his voice steady as the stars. I left with seeds in my pocket and a new understanding of trust.

Once, I came upon a caravan, its leader a man hardened by trade. He scoffed when I offered water without payment. “Nothing is free,” he said. But as we camped, I shared the book’s words, reading of a love that paid all debts. His men listened, their faces softening, and though the leader turned away, one young trader lingered, asking questions until dawn. I gave him my book, for I knew its words by heart, and he promised to read it under the stars.

Each encounter wove a thread into my soul, binding me to the love I had found. I was still a wanderer, but no longer lost. The desert was vast, but I carried a light within me, kindled by a book, a cross, a child’s gift. And as I walked, I whispered to the stars, not of my questions, but of my thanks—for I had found the one who sees, and he had taught me to love.

Jérémie M. Tshibakenga

ODE TO THE TWIN MUSES: Classical grandeur & Kino-Congolese rhythm

What is your favorite genre of music?

Music is the mediator between the spiritual and the sensual life.

Ludwig van Beethoven

My heart, ever attuned to the sublime language of music, finds its deepest resonance in the realm of classical composition, where the soul’s profoundest emotions are woven into intricate tapestries of sound. As one born of Kino-Congolese blood, my spirit also dances to the vibrant, rhythmic pulse of my heritage, a music that courses through the veins of the earth itself, uniting the fervor of human vitality with the eternal. These two worlds—classical and Kino-Congolese—stir my being, each in its own manner, yet both converge in their power to elevate the mind and quicken the heart.

In classical music, I discover a divine architecture, a cosmos of harmony and counterpoint that speaks to the eternal. The symphony, with its grand movements, is a cathedral of sound, each note a stone laid with purpose, each phrase a vaulted arch reaching toward the infinite.

I am enthralled by the interplay of themes, the dialogue of instruments, where the delicate whisper of a flute may contend with the thunderous proclamation of brass. In these works, I hear the struggles and triumphs of the human spirit, rendered with a precision that borders on the sacred.

The slow, mournful adagio pierces my soul with its tender melancholy, while the jubilant allegro lifts me to heights of exultation. Such music is not mere sound but a revelation of order and beauty, a mirror of the universe’s grandeur.

Yet, as a Kino-Congolese, my blood stirs to a different cadence, one born of the earth’s heartbeat, of communal joy and unyielding resilience. The music of my people is a living force, its rhythms a call to movement, to life itself.

The drum speaks in primal tongues, its pulse echoing the footsteps of ancestors, while voices rise in unison, weaving stories of struggle, celebration, and hope. This music is not confined to the page but bursts forth in the moment, spontaneous and free, yet disciplined by the unspoken laws of rhythm. It is the sound of marketplaces alive with barter, of dances beneath starlit skies, of hands clapping in defiance of hardship. In its cadence, I feel the warmth of community, the unquenchable fire of survival that has carried my people through ages of trial.

These genres, though seemingly disparate, are to me twin flames of the same divine spark. Classical music offers me structure and contemplation, a space where the mind may wander through vast landscapes of thought. Kino-Congolese music, with its relentless vitality, grounds me in the immediacy of existence, urging my feet to dance and my voice to join the chorus.

Together, they form a perfect union: the former, a meditation on eternity; the latter, a celebration of the now. In their embrace, I find both solace and strength, a harmony that resonates within my very soul, uniting the celestial and the earthly in a symphony of boundless expression. Thus, I am ever bound to music, my truest companion, which speaks what words alone cannot.

Jérémie M. Tshibakenga

ECHOES OF MATADI: A Journey into the Heart of Kongo Central

Describe your most memorable vacation.


“The life of man is of no greater duration than the breath of his nostrils.”

Plato

In the summer of 2003, I found myself drawn to Matadi, the vibrant heart of Kongo Central, once known as Bas-Congo, in the Democratic Republic of the Congo. For three months, from July to September, I immersed myself in the rhythm of this place, a city perched on steep hills where the verbs “to climb,” “to descend,” and “to sweat” are etched into daily life.

It was a vacation that carved itself into my soul, not merely for the sights or sounds, but for the profound lessons whispered by the land and its people, lessons that linger with me still, like the cadence of Kikongo, the language I learned under Matadi’s generous sky.

Matadi, in those warm months, was a canvas of contrasts, a city cradled by the mighty Congo River, its waters glinting like a ribbon of silver under the equatorial sun. The river, navigable from the Atlantic to this port city, seemed to carry the weight of history in its current, murmuring tales of the old Kingdom of Kongo, of explorers like Diogo Cão, whose graffiti-scarred rocks still stand sentinel upstream.

The city itself, with its population of some 245,862 souls, hummed with life, its streets a maze of motion and color. Buildings, influenced by Portuguese and Belgian colonial echoes, clung to the hillsides, their facades weathered yet proud, as if they, too, had stories to tell. The air was thick with the scent of earth and river, of mangoes ripening in the heat and the faint tang of salt carried from the distant Atlantic.

The climate in Matadi during those months was a dry tropical savanna, a reprieve from the rains that drench the region in other seasons. The Benguela Current, cold and foggy, stretched its influence northward, keeping the skies clear and the temperatures kind, hovering between warm days and cooler nights.

The landscape, a blend of savanna grasslands and forested pockets, was alive with the rustle of life—baobabs standing like ancient sentinels, their gnarled branches reaching for the heavens, and the distant rumble of the Yelala Rapids, a reminder of the river’s untamed spirit. The environment felt sweet, not in a saccharine way, but in the way a fruit ripens to perfection, offering itself fully to those who pause to taste it.

My days began with the dawn, when the city stirred awake with a chorus of voices—vendors calling out their wares, children laughing as they scampered up the steep paths, and the low hum of boats docking at the port.

Matadi is the chief sea port of the nation, a vital artery for trade, and its pulse was palpable. The port, with a maximum draft of 8.2 meters, buzzed with activity, ships unloading goods that would travel the Matadi-Kinshasa Railway, a marvel built between 1890 and 1898.

I often wandered to the port, watching the dance of commerce, the crates of manioc and bananas, the sacks of rice and sésame, all products of Kongo Central’s fertile soil. The province’s economy, vibrant with agriculture, mining, and hydroelectric power from the Inga dams, seemed to breathe through the city, giving it a restless, hopeful energy.

Yet it was not the bustle of Matadi that made this vacation unforgettable, but the quiet moments of connection with its people, the Bakongo, whose warmth and wisdom enveloped me like a second home. The Bakongo, descendants of the ancient Kongo Kingdom, are a blend of twenty-five tribes, their culture rich with the cadence of Kikongo, a Bantu language that sings with tonal nuances.

I had come to Matadi with a desire to learn, but I had not anticipated how deeply the language would root itself in me. Kikongo, with its dialects like Kimboma and Kiyombe, was more than words; it was a bridge to the soul of the people.

I learned it in the marketplaces, where women in vibrant headscarves taught me phrases over bowls of fufu; in the churches, where hymns in Kikongo ya Leta, the creole of the region, soared with a fervor that stirred the heart; and in the evenings, sitting with elders who shared proverbs that carried the weight of centuries.

Learning Kikongo was like learning to see the world anew. Its tones, rising and falling like the hills of Matadi, demanded I listen with my whole being. A single word could shift meaning with a change in pitch, and I stumbled often, laughing with my teachers as I mangled their language. But they were patient, their eyes crinkling with kindness, and slowly, I began to understand not just the words but the spirit behind them.

Bukongo, the Kongo religion, flowed through their stories, a cosmology of Nzambi Mpungu, the Supreme God, and Kalûnga, the force of fire that filled the void of creation. To speak Kikongo was to touch this worldview, to feel the pulse of a culture that had endured colonial empires and still stood tall.

The sweetness of Matadi’s environment lay in its harmony of contrasts—human and natural, past and present. I walked the steep paths to the rock of Diogo Cão, where the explorer’s carvings from 1485 whispered of a time when the world was vast and unknown.

I stood by the M’pozo River, where a power station hummed quietly, supplying Matadi with energy, a symbol of the city’s blend of tradition and progress. The Mayumbe massif, its northern reaches drained by the Shiloango, offered shaded trails where I could lose myself in the chatter of birds and the rustle of leaves. The province’s wealth—its forests, its arable land, its hydroelectric dams—felt like a promise, a reminder that life here was abundant, resilient, and fiercely alive.

One memory stands out, crystalline in its clarity: an evening in August, when I joined a group of Bakongo in a village just outside Matadi. We sat under a baobab, the sky streaked with pink and gold, and they taught me a song in Kikongo, a melody that spoke of unity and the land’s embrace.

The words, simple yet profound, told a story of the river and the people it sustained. As we sang, fireflies began to dance, their lights mirroring the stars above, and I felt a kinship with this place, as if I, too, were part of its story. That night, I understood why the Bakongo call their language a pillar of identity—it was not just communication but a vessel for their history, their faith, their dreams.

When I left Matadi at the end of September for Kinshasa, I carried more than memories. I carried Kikongo in my heart, its tones echoing in my thoughts, a reminder of the people who had welcomed me as one of their own.

I carried the sight of the Congo River at dusk, its surface a mirror for the sky’s fading light. I carried the laughter of children, the wisdom of elders, and the resilience of a city that climbs its hills with unyielding determination.

Matadi, in those three months, taught me that a vacation is not just a journey to a place but a journey into the self. It showed me that to learn a language is to learn a people, and to love a place is to let it change you forever.

The sweetness of Matadi’s environment, its hills and river, its people and their songs, remains with me, a quiet hum beneath the noise of everyday life. It is a sweetness born of connection, of moments when the world feels whole and true. And though I am far from Kongo Central now, I need only close my eyes to see its hills, to hear the lilt of Kikongo, and to feel, once more, the embrace of a land that gave me a home for one unforgettable summer.

Jérémie M. Tshibakenga